Анкета Силент Данс Свинг

Салом.

Мо донишҷӯёни барномаи магистратураи Графикӣ ва интерактивии коммуникатсия ҳастем.

 

Дар як фан, мо хидмате таҳия мекунем - ташкил кардани чорабиниҳои рақсии босифат (навъҳо: салса, свинг ва танго) дар ҳаво, дар хомӯшӣ. Ҳа, шумо дуруст хондаед! Пас, ҳамчун иштирокчии чорабинии свинг, шумо гӯшмонакҳои бепул ва бароҳат мегиред ва ҳамон мусиқиро мешунавед, ки ҳамаи раққосони дигар. Рақс метавонад дар ҳаво, дар ҳар ҷо (дар табиат, дар боғи шаҳр...) баргузор шавад.

 

 

Мо фикри шуморо дар бораи чунин чорабинӣ мехоҳем!

Ҷинс:

Гурӯҳи синнусолӣ:

Оё дар маҳаллии шумо чорабиниҳои рақсии кам баргузор мешаванд?

Оё шумо дар чорабинии рақсии иштирок мекунед, ки барои муҳити атроф шунида намешавад, шумо - ҳамчун иштирокчӣ - бо раққосон мусиқиро тавассути гӯшмонакҳои бароҳат, бепул мешунавед? Чорабинӣ дар берун, дар ҳаво баргузор мешавад?

То чӣ андоза шумо чунин чорабинӣ манфиатдор ҳастед? (1 - манфиат надорам, 5 - манфиатдорам)

Агар ду чорабинии рақсӣ бо мусиқии дӯстдоштаи шумо як вақт баргузор шаванд, яке дар берун, дар ҳаво ва дигаре дар фазои пӯшида, масалан, дар толор, кадомашро шумо бештар интихоб мекунед?

Чанд нархи баландтарин, ки шумо барои иштирок дар чорабинӣ (ба нарх истифодаи гӯшмонакҳо, имконияти харидории нӯшокӣ, гузоштани курсӣ, миз ва равшанӣ, муҳити хуш ва мусиқии хуб) пардохт мекунед?

Лутфан, барои чунин чорабинӣ чанд шарҳ диҳед. Кадом камбудиҳо дар чунин чорабинӣ ҳастанд? Чӣ шуморо нороҳат мекунад? Чӣ шуморо хуш меорад?

  1. na
  2. there is a disconnection in the surroundings, which the dancers understand but do not hear, what we dancers hear. also, the possibility of conversation that happens at dance events on and around the dance floor, even if it's just a few words, is, in my opinion, essential for mutual communication, relaxation, and connection among dancers. i would definitely be interested in a silent dance event and would go to check it out, to try it, but i think mainly out of curiosity. however, i am not sure that the idea of experiencing music individually, which actually connects and unites us all, would attract me in the long run.
  3. the additional dimension when dancing outdoors is the audience, which co-creates the event with the dancers, giving it extra energy, purpose, and story. this all develops dance culture, motivation among spectators and dancers. this has been confirmed in the last 10 years in swing and tango. if the audience cannot hear the music, the mentioned scene cannot be created. similarly, headphones hinder communication between partners during the dance, between two songs, etc.
  4. it depends on the weather. good organization is very important.
  5. if there is no dance floor, then it can't be nearly as good outside as it is on the dance floor. such an event would only interest me once for a one-time experience and then not again. my ears hurt from in-ear headphones. i am indeed introverted, but i believe i can't really disturb too much with dancing.
  6. if i had simple ears (otherwise, how could i communicate with dance partners and other people), participating in such an event would really be something special. it would be worth trying once, but i wouldn't be interested in more.
  7. everything is "thinking out of the box." a shortcoming - usually even non-dancers follow the event (even if only randomly for a few minutes). from my perspective, as an observer, i would like to hear the music that is danced to. well, i also enjoy doing this as a dancer. often, i just sit and watch the dancers' reactions to the same moments in the music. everyone reacts differently. this is how i learn and grow.
  8. good idea. when will the first event be?
  9. interesting idea. for a good swing dance, good music and a good floor (for smooth sliding) are needed. i think it's good that everyone can decide how loud they will listen. however, i don't know what it would be like when you can't hear your dance partner.
  10. distraction: headphones in your ears! you can't hear the music!
…Бештар…
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